Avlex: Superlux Platinum Microphones


Stereo Microphones
	SMK-H8K The SMK-H8K stereo set includes two cardioid electret condenser microphones, two shock-mounts and one HM-15 stereo mount with a distance of 6.7" between the two ends. The microphones of this set, when installed on the HM-15 mount, are in accordance with the ORTF French Standard Mode stereo. This mount holds the two microphones at an angle of 90 ~ 120º between them, thus achieving the X/Y Mode stereo which approximates the actual sound heard by a pair of human ears. If the two microphones are installed with a distance of 10 ~ 16 ft. in between, the A/B Mode stereo sound is realized.
	E531/BCS The E531/BCS is configured with an M/S stereo arrangement for capturing realistic and natural live sound or field recording. The effective coverage angle can be switched to 90 degrees for applications such as a solo instrument or dialogue or 120 degrees for a wider pattern to record applications such as orchestra, choir, stage or outdoor venues providing natural spatial impact and realism. The E531/BCS is ideal for digital recording devices for professional stereo applications.
	E522/B The E522/B features a closely matched pair of capsules to provide the spatial impact and realism of a live sound field. The capsules are arranged in a X/Y stereo configuration for live sound field recording. It The E523 is well suited for broadcast, pro audio recording and digital field recording. The microphone has two un-balanced outputs and works well with Pro or Consumer audio and video equipment.
	E523/D The E523/D features a closely matched pair of capsules to provide the spatial impact and realism of a live sound field. The capsules are arranged in a X/Y stereo configuration for live sound field recording. It The E523 is well suited for broadcast, pro audio recording and digital field recording. The microphone has two balanced outputs and works well with Pro or Consumer audio and video equipment.
	E524D The E524D features a matched pair of 16mm electret condenser capsules that provide the spatial impact and realism of a live sound field. The capsules are arranged in a X/Y stereo configuration with excellent off-axis rejection. The E524D is ideal for broadcast, pro audio recording and digital field recording. The microphone has two balanced outputs and works well with Pro or Consumer audio and video equipment.