Avlex: Superlux Studio Accessories


INSTRUMENT MICROPHONES
	FK-2 Large diaphragm dynamic kick microphone used in the DRK-F3, DRK-F5, DRK-F3H2 and DRK-F5H3 kits. FT-4 Dynamic tom microphone used in the DRK-F3, DRK-F5, DRK-F3H2 and DRK-F5H3 kits. FS-6 Dynamic snare microphone use in the DRK-F5H3 kit. H0-8 Large diaphragm condenser overhead microphone used in the DRK-F3H2 and the DRK-F5H3 kits. HI-10 Pencil condenser hi-hat microphone used in the DRK-F5H3 kits.
	D112/C The Superlux D112/C is a dynamic microphone specifically designed for harmonica players. It fits comfortably in your hand and is easy to hold with a harmonica while performing.
	WB-383 The Superlux WB-383 is low profile cardioid condenser microphone designed to clip to brass, reeds, strings, snare, toms, and other instruments.
	PRA-218A The PRA-218A is a supercardioid dynamic microphone designed to capture the low frequency spectrum of such bass instruments as the kick and kettle drums.
	PRA-218B The PRA-218B is a high-quality supercardioid dynamic instrument microphone specifically designed for the low frequencies of all bass instruments.
	PRA-268A The PRA-268A supercardioid back electret condenser microphone has a frequency response specifically designed for most mid-high frequency instruments such as trumpet, cymbals, maracas, etc.
	PRA-288A With a frequency response specifically designed for snare drums, the PRA-288A supercardioid dynamic microphone can be inconspicuously mounted beneath the snare to capture the desired sound. Snare from DRKB5C2.
	PRO-218A Perfectly designed in its low-frequency response, the PRO-218A supercardioid dynamic microphone is the best choice for miking bass and kick drums or any other wide dynamic range bass instrument, whether in live performance or recording. Kick from DRKB5C2.
	PRO-228A The PRO-228A supercardioid dynamic microphone is flat and smooth in mid-low frequency response, tolerating high sound pressure levels with a high dynamic range. It is specifically suited to mid-low frequency instruments such as toms, snare, guitars, etc. Tom from DRKB5C2.
	PRO-268A This supercardioid back electret condenser microphone is designed specifically for the mid-high frequencies and is particularly well suited to such instruments as cymbals and high hats. It is also excellent for vocal miking such as in interviews or in recording. Overhead condensers from DRKB5C2.
	S241/U3 The S241/U3 is a true capacitor condenser microphone with a 1/2" gold-evaporated diaphragm. It's excellent perfomance is based on top quality craftsmanship together with the exchangeable capsule modules and microphone preamplifier. This makes the S241/U3 greatly appreciated by audio engineers, especially for studio projects.
	CM-H8K Series The elegantly slim CM-H8K condenser microphone is also amazingly versatile. Designed specifically for the mid-high frequency range, it is available in your choice of one of 3 different pick-up patterns or as a set of all 3 easily interchangeable capsules with a single microphone body to meet your instrumental sound reinforcement needs.
	SMK-H8K The SMK-H8K stereo set includes two cardioid electret condenser microphones, two shock-mounts and one HM-15 stereo mount with a distance of 6.7" between the two ends. The microphones of this set, when installed on the HM-15 mount, are in accordance with the ORTF French Standard Mode stereo. This mount holds the two microphones at an angle of 90 ~ 120° between them, thus achieving the X/Y Mode stereo which approximates the actual sound heard by a pair of human ears. If the two microphones are installed with a distance of 10 ~ 16 ft. in between, the A/B Mode stereo sound is realized.